


This cookie is set by GDPR Cookie Consent plugin.

The cookie is set by GDPR cookie consent to record the user consent for the cookies in the category "Functional". The cookie is used to store the user consent for the cookies in the category "Analytics". Set by the GDPR Cookie Consent plugin, this cookie is used to record the user consent for the cookies in the "Advertisement" category. CookieĬloudflare sets this cookie to identify trusted web traffic. These cookies ensure basic functionalities and security features of the website, anonymously. At this point until I get a top of the line interface I'm in the habit of freezing everything as I go anyway.Necessary cookies are absolutely essential for the website to function properly. The only con is that because it is so good, and is doing a lot of work in real time, there's a small latency penalty which I get around by freezing my tracks once I get them close. I've tried MANY other compressors and this is the only one I can get sounding exactly how I want across many instrument tracks and song types when mastering. I really can't stress how great the 元 is. It really does depend on how fine you need/want to be. Alternatively, I've also put a parametric EQ in the chain and accomplished the same thing with even more granuality. It can be a time saver especially if mastering someone else's work.

The bands are fully modifiable, so if you only want to maybe raise the snare's pop you can set a band to the common snare frequency range. It's just a way of adding flexibility to an already great tool. I've also used it to brighten up a mix, and does so without being harsh. It's especially clever since it's really just a priority and doesn't blindly raise the entire spectrum like a volume control. I've used it to bump the low end on a master without needing to EQ everything from scratch (or remix). The multiband is pretty sweet though, depending on the need at the time.
